RME Fireface UFX III

Every professional multitrack studio needs a flexible centerpiece, and that's why RME has introduced the Fireface UFX III, a 188-channel, 1 RU audio interface with a blistering maximum sample rate of 24-bit / 192 kHz and wide-ranging, versatile I/O, including 128-channel MADI, dual optical ADAT I/O, XLR AES3 connections, and a future-proof USB 3.0 host connection that supports direct USB recording (DURec).
The Fireface UFX III comes with all the quality hardware expected of a high-end RME interface, including low-latency circuitry, drivers designed for flawless operation, TotalMix FX software control, and support for the Advanced Remote Control USB (sold separately).

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format. Designed for use in studio and live recording, the UCX II continues RME's tradition of producing powerful and flexible interfaces for the professional audio market, packing the kind of connectivity and features into a half-rack size unit that is often spread over two - or even three - 19 inch panels.
With up to 20 channels recording and 20 channels playback; RME's stellar SteadyClock FS digital clocking technology; high performance microphone inputs; TotalMix FX mixing and routing software (complete with Parametric EQ and Dynamics processing on every channel, plus Echo and Reverb sends); stand-alone hard disk recording to external USB hard drives or pen drives via 'DURec' (Direct USB Recording); MIDI I/O; a powerful headphone output; and full stand-alone operation, the Fireface UCX II excels with the highest feature to space ratio ever from an RME device.

The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set.
Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.

The latest Digiface AES is a professional, bus powered 14 input and 16 output channel USB 2.0 interface with 2 Mic/Line universal analog input channels and 4 analog output channels (2 XLR, one TRS phones) complementing its digital I/O section.
With an excellent set of digital connectivity, SteadyClock FS, full stand-alone operation and built-in parametric EQ, the Digiface AES shines as the perfect all-in-one solution for recording and playback of digital and analog sources, as well as flexible playback/monitoring via TotalMix FX.

Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

The unit supports all sample rates between 32 and 768 kHz and delivers a flat frequency response with an impressive 124 dBA signal-to-noise ratio. The company's SteadyClock technology efficiently suppresses jitter in all clock modes, ensuring that the AD/DA conversion's sonic quality remains consistent independently from the quality of the incoming clock signal.

The two Extreme Power headphone outputs provide high-end monitoring options optimized for low- and high-impedance headphones. They feature an Advanced Balanced mode which delivers a balanced signal path from the DAC straight to the headphones with optimized frequency response and a maximum output level of +28 dBu. A powerful DSP adds all kinds of useful audio processing, including a 5-band parametric EQ, fast bass/treble adjustment, crossfeeding, and a sophisticated loudness function.

The ADI-2 Pro FSR BE features a high-resolution ISP panel, which eases operation and displays signal metering of all I/Os, current digital states of S/PDIF, AES, USB, a 30-band analyzer, and more. The display features an AutoDark mode that automatically turns off all LEDs and the display after ten seconds of user inactivity. An included remote control provides access to 52 functions and commands.

The unit can be used as a standalone and operated with three push-button encoders and four buttons to access dedicated menus.
Styled in a black finish, the RME ADI-2 Pro FSR BE is a versatile reference-class AD/DA converter that can be used as a USB audio interface, a USB DAC with Extreme Power headphone amplifiers, or as a format converter with digital monitoring. Housed in a compact, half-rack enclosure, it delivers pristine 32-bit / 768 kHz audio quality to audio engineers and audiophiles alike, for studio, home, and mobile applications, ranging from analog/digital recording, PCM/DSD recording and playback, precise audio measurements, or use as a high-fidelity front-end and headphone amp for iPhone/iPad or other mobile devices.
The ADI-2 Pro FSR BE is equipped with six input sources and eight output paths for simultaneous 2-channel analog-to-digital input conversion and 4-channel digital-to-analog output conversion. The I/O options include two servo-balanced analog line inputs, two separate balanced and unbalanced analog outputs, one optical S/PDIF I/O, which also supports two channels of ADAT operation and via the included digital breakout cable, one coaxial S/PDIF I/O and one AES/EBU I/O.

Equally comfortable in the studio or as part of a mobile rig, the Focusrite Clarett+ 4Pre desktop 18x8 USB Type-C audio/MIDI interface combines upgraded 24-bit / 192 kHz AD/DA conversion with low-latency monitoring and four Air-enabled microphone preamps that can model the sound of the company's classic ISA preamps. With low noise (-129 dB EIN), massive dynamic range, and even less distortion than before, the high-performance mic preamps deliver a clean, open, and transparent sound, for accurate reproduction of the original performance.
In addition to the four mic/line preamps (two with Hi-Z capability), the interface offers four rear-panel line inputs, an optical ADAT port for digital input expansion, S/PDIF stereo digital I/O, and MIDI I/O for integration of MIDI equipment such as a keyboard or drum machine. Four line-level outputs and two stereo headphone outputs let you properly hook up monitors, headphones, and more. The Clarett+ 4Pre includes a software package featuring Focusrite Red plug-ins and a channel strip that accurately models the rare Focusrite Studio Console. Also provided is the Focusrite Control software that enables you to configure routing and monitor mixes from Mac and Windows computers, or iPad, iPhone, and iPod touch mobile devices.

The built-in headphone amplifier provides low THD values even with 32- or 16-Ohm headphones, ensuring a transparent and crystal-clear sound. Onboard DSP allows you to dial in crossfeed, or instantiate a precise EQ for your exact predilections. This DSP also offers other features, such as a loudness contour reminiscent of old HiFi systems, and M/S encoding or decoding.

A high-resolution graphical operation surface makes operating the unit a breeze, as do the three push-button encoders and four dedicated-menu buttons. Included with the ADI-2 DAC FS are a remote control, an external power supply, a power cord, and a USB cable.
The RME ADI-2 DAC FS is a two-channel digital-to-analog converter for the discerning audiophile or engineer. It offers 32-bit conversion up to 768 kHz, making it compatible with high-resolution PCM formats and even DSD256. Additionally, the ADI-2 is compatible with iOS devices with apposite adapters, so you can enjoy audio streamed off your tablet or iPhone in a high-quality manner.
For connections, the ADI-2 DAC FS offers stereo RCA outputs, stereo XLR connections, a 1/4" headphone output, and a low-noise IEM output. You can feed digital signal to the unit over USB, S/PDIF coaxial, S/PDIF Optical, or ADAT.

Equally comfortable in the studio or as part of a mobile rig, the Focusrite Clarett+ 2Pre desktop 10x4 USB Type-C audio/MIDI interface combines upgraded 24-bit / 192 kHz AD/DA conversion with low-latency monitoring and two Air-enabled microphone preamps that can model the sound of the company's classic ISA preamps. With low noise (-129 dB EIN), massive dynamic range, and even less distortion than before, the high-performance mic preamps deliver a clean, open, and transparent sound, for accurate reproduction of the original performance.
In addition to the two mic/line/instrument inputs, the interface offers an optical port for digital input expansion (via ADAT or S/PDIF) and MIDI I/O for integration of MIDI equipment such as a keyboard or drum machine. Four line-level outputs and a stereo headphone out let you properly hook up monitors, headphones, and more. The Clarett+ 2Pre includes a software package featuring Focusrite Red plug-ins and a channel strip that accurately models the rare Focusrite Studio Console. Also provided is the Focusrite Control software that enables you to configure routing and monitor mixes from Mac and Windows computers, or iPad, iPhone, and iPod touch mobile devices.