Neumann TLM 107 Studio Set (Silver)
Neumann TLM 107 Studio Set (Silver)
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Description
Description
Bundled with a color-matched, vibration-reducing shockmount, the silver Neumann TLM 107 Studio Set BK large-diaphragm multipattern condenser microphone brings renowned Neumann sound quality and immense versatility to a price point that's accessible to music creators and engineers working in project studios and home recording setups. The dual-diaphragm capsule—specially developed for the TLM 107—offers a balanced tone that's consistent across its five selectable polar patterns, making the mic a great choice for capturing vocals and instruments without coloration.
A single control on the rear of the mic is used to change the polar pattern, pad (-6 or -12 dB), and low-cut filter (40 or 100 Hz). With the -12 dB pad engaged, the TLM 107 can be used on sound sources up to 153 dB for recording percussion, drums, amplifiers, and other loud instruments clearly and without distortion. A treble boost above 8 kHz helps the mic maintain detail and articulation while avoiding pronounced sibilance. Thanks in part to the transformerless circuitry, the TLM 107 yields only 10 dBA of self-noise, further enhancing its transparent nature.
Pro-Level Accuracy for Home Studios
The TLM 107 offers true high-definition sound quality at an affordable price. Neumann developed this microphone for project and home studio users who prefer to capture an uncolored sound image, true to the original source, in order to retain all options for post processing and mixing. The TLM 107, in turn, offers all the flexibility required to make a high-quality recording of any source in any situation.
Updated Looks and Controls
Neumann decided to give the TLM 107 an updated look, although the large, tapered headgrille does echo the iconic design of such Neumann classics as the M 49 tube microphone. The stylish navigation toggle on the back of the microphone is a joy to use as it controls all settings in one place: pad (0, -6, or -12 dB), low-cut filter (linear, 40 Hz, or 100 Hz), and polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, or figure-8).
Dual-Diaphragm Capsule
The newly developed dual-diaphragm condenser capsule is specially designed for the TLM 107 to offer outstanding transient response and an extended, carefully balanced frequency response for all polar patterns. This means you can adjust the directional pattern according to the recording situation without affecting the overall sound balance, which is quite uncommon for a large-diaphragm microphone.
Neumann Engineering
As a member of Neumann's TLM series, the TLM 107 operates with a transformerless circuit ensuring an open, transparent sound and a full, unrestricted bass transmission, even at highest levels. Two low-cut settings are available to reduce rumble and compensate for the proximity effect in close-miking situations. Even without engaging the two pad settings, the TLM 107 can handle enormous sound pressure levels of up to 141 dB without clipping (up to 153 dB with preattenuation). The TLM 107 has a self-noise of only 10 dBA, which is much lower than the ambient noise in a very quiet recording studio. In other words, the TLM 107 will add neither noise nor unwanted distortion to your recordings.
What's in the box?
What's in the box?
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| Price |
Regular price
11.376,00 kr
Sale price
11.376,00 kr
Regular price
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Regular price
11.376,00 kr
Sale price
11.376,00 kr
Regular price
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Regular price
10.615,00 kr
Sale price
10.615,00 kr
Regular price
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Regular price
5.928,00 kr
Sale price
5.928,00 kr
Regular price
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Regular price
10.615,00 kr
Sale price
10.615,00 kr
Regular price
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Regular price
5.928,00 kr
Sale price
5.928,00 kr
Regular price
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Regular price
12.137,00 kr
Sale price
12.137,00 kr
Regular price
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Regular price
2.200,00 kr
Sale price
2.200,00 kr
Regular price
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Regular price
16.733,00 kr
Sale price
16.733,00 kr
Regular price
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| Product variants | |||||||||
| Vendor | Neumann | Neumann | Neumann | Neumann | Neumann | Neumann | Neumann | SE Electronics | Austrian Audio |
| Type | Condenser Microphones | Condenser Microphones | Condenser Microphones | Condenser Microphones | Condenser Microphones | Condenser Microphones | Condenser Microphones | Condenser Microphones | Condenser Microphones |
| Description | Bundled with a color-matched, vibration-reducing shockmount, the silver Neumann TLM 107 Studio Set BK large-diaphragm multipattern condenser microphone brings renowned Neumann sound quality and immense versatility to a price point that's accessible to music creators and engineers working in project studios and home recording setups. The dual-diaphragm capsule—specially developed for the TLM 107—offers a balanced tone that's consistent across its five selectable polar patterns, making the mic a great choice for capturing vocals and instruments without coloration. A single control on the rear of the mic is used to change the polar pattern, pad (-6 or -12 dB), and low-cut filter (40 or 100 Hz). With the -12 dB pad engaged, the TLM 107 can be used on sound sources up to 153 dB for recording percussion, drums, amplifiers, and other loud instruments clearly and without distortion. A treble boost above 8 kHz helps the mic maintain detail and articulation while avoiding pronounced sibilance. Thanks in part to the transformerless circuitry, the TLM 107 yields only 10 dBA of self-noise, further enhancing its transparent nature.
Pro-Level Accuracy for Home StudiosThe TLM 107 offers true high-definition sound quality at an affordable price. Neumann developed this microphone for project and home studio users who prefer to capture an uncolored sound image, true to the original source, in order to retain all options for post processing and mixing. The TLM 107, in turn, offers all the flexibility required to make a high-quality recording of any source in any situation.
Updated Looks and ControlsNeumann decided to give the TLM 107 an updated look, although the large, tapered headgrille does echo the iconic design of such Neumann classics as the M 49 tube microphone. The stylish navigation toggle on the back of the microphone is a joy to use as it controls all settings in one place: pad (0, -6, or -12 dB), low-cut filter (linear, 40 Hz, or 100 Hz), and polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, or figure-8).
Dual-Diaphragm CapsuleThe newly developed dual-diaphragm condenser capsule is specially designed for the TLM 107 to offer outstanding transient response and an extended, carefully balanced frequency response for all polar patterns. This means you can adjust the directional pattern according to the recording situation without affecting the overall sound balance, which is quite uncommon for a large-diaphragm microphone.
Neumann EngineeringAs a member of Neumann's TLM series, the TLM 107 operates with a transformerless circuit ensuring an open, transparent sound and a full, unrestricted bass transmission, even at highest levels. Two low-cut settings are available to reduce rumble and compensate for the proximity effect in close-miking situations. Even without engaging the two pad settings, the TLM 107 can handle enormous sound pressure levels of up to 141 dB without clipping (up to 153 dB with preattenuation). The TLM 107 has a self-noise of only 10 dBA, which is much lower than the ambient noise in a very quiet recording studio. In other words, the TLM 107 will add neither noise nor unwanted distortion to your recordings.
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Bundled with a color-matched, vibration-reducing shockmount, the black Neumann TLM 107 Studio Set BK large-diaphragm multipattern condenser microphone brings renowned Neumann sound quality and immense versatility to a price point that's accessible to music creators and engineers working in project studios and home recording setups. The dual-diaphragm capsule—specially developed for the TLM 107—offers a balanced tone that's consistent across its five selectable polar patterns, making the mic a great choice for capturing vocals and instruments without coloration. A single control on the rear of the mic is used to change the polar pattern, pad (-6 or -12 dB), and low-cut filter (40 or 100 Hz). With the -12 dB pad engaged, the TLM 107 can be used on sound sources up to 153 dB for recording percussion, drums, amplifiers, and other loud instruments clearly and without distortion. A treble boost above 8 kHz helps the mic maintain detail and articulation while avoiding pronounced sibilance. Thanks in part to the transformerless circuitry, the TLM 107 yields only 10 dBA of self-noise, further enhancing its transparent nature.
Pro-Level Accuracy for Home StudiosThe TLM 107 offers true high-definition sound quality at an affordable price. Neumann developed this microphone for project and home studio users who prefer to capture an uncolored sound image, true to the original source, in order to retain all options for post processing and mixing. The TLM 107, in turn, offers all the flexibility required to make a high-quality recording of any source in any situation.
Updated Looks and ControlsNeumann decided to give the TLM 107 an updated look, although the large, tapered headgrille does echo the iconic design of such Neumann classics as the M 49 tube microphone. The stylish navigation toggle on the back of the microphone is a joy to use as it controls all settings in one place: pad (0, -6, or -12 dB), low-cut filter (linear, 40 Hz, or 100 Hz), and polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, or figure-8).
Dual-Diaphragm CapsuleThe newly developed dual-diaphragm condenser capsule is specially designed for the TLM 107 to offer outstanding transient response and an extended, carefully balanced frequency response for all polar patterns. This means you can adjust the directional pattern according to the recording situation without affecting the overall sound balance, which is quite uncommon for a large-diaphragm microphone.
Neumann EngineeringAs a member of Neumann's TLM series, the TLM 107 operates with a transformerless circuit ensuring an open, transparent sound and a full, unrestricted bass transmission, even at highest levels. Two low-cut settings are available to reduce rumble and compensate for the proximity effect in close-miking situations. Even without engaging the two pad settings, the TLM 107 can handle enormous sound pressure levels of up to 141 dB without clipping (up to 153 dB with preattenuation). The TLM 107 has a self-noise of only 10 dBA, which is much lower than the ambient noise in a very quiet recording studio. In other words, the TLM 107 will add neither noise nor unwanted distortion to your recordings.
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Designed as a budget-friendly alternative to the heralded U 87 microphone for project studios, producers, and vocalists, the silver Neumann TLM 103 MT Mono Set is a large-diaphragm condenser mic offering the classic Neumann sound with elevated presence to impart a crisp, clean, and full tone. It boasts a capsule based on the U 87 married to pristine transformerless circuitry, allowing it to handle high SPLs up to 138 dB without distortion while maintaining superbly quiet self-noise of just 7 dBA. The combination of the transformerless output stage and heightened treble response makes the TLM 103 a great choice when the sound source needs to clearly cut through the mix. The mic's compact body is ideal for positioning it in tight spots such as over a snare, inside a kick drum, or in front of a small guitar amp. By utilizing a cardioid polar pattern, the mic can effectively reduce ambient noise or instrument bleed behind the mic. Affordable Alternative to the U 87Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic, tapered headgrille design gives the TLM 103 a distinct Neumann look.
Large-Diaphragm CapsuleThe TLM 103 is a cardioid microphone with a large-diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz.
Refined and Full SoundIts very direct yet refined sound is perfect for vocals and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them a top choice in studios around the world. A special feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.
Technical ExcellenceWith an incredibly low self-noise of only 7 dBA, the TLM 103 is among the quietest microphones available. And its high sensitivity of -32.5 dBV ensures ultralow noise, even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for pre attenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy-to-use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.
Transformerless OutputAs a member of Neumann's TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original as well as a clear, powerful bass response, even at highest signal levels.
ApplicationsThe TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U 87 for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings for cello and double bass.
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Bundled with a vibration-reducing shockmount and a compact stand mount, the nickel Neumann TLM 102 Studio Set large-diaphragm condenser microphone brings renowned Neumann sound quality to a price point that's inclusive to home producers, working musicians, and independent singer-songwriters. The capsule's high SPL rating of 144 dB permits the recording of percussion, drums, amplifiers, and other loud sound sources clearly and without distortion. With its 8 to 12 kHz treble boost, the TLM 102 imparts a silky vocal presence while avoiding pronounced sibilance. The mic utilizes a cardioid polar pattern to provide directional sound pickup in front of the capsule and strong rejection behavior behind it, yielding less background noise than most other polar responses. The integrated pop shield reduces breath noise and vocal plosives, though external pop filters are available for even more control. The TLM 102's transformerless output stage aids the mic in achieving a clean character with plenty of reach in the bass range, and it delivers resistance to electromagnetic interference. Silky ToneNeumann developed the TLM 102 as a universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kHz which is crucial for human voices. The recordings get a silky elegance typical of large-diaphragm microphones; the voice gets a noble presence in the overall mix. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants, thanks to the integrated pop shield.
No Problem with High VolumeThe TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. It reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of about 4") with great clarity: open, detailed, with powerful bass and refined treble.
Neumann Sound on a BudgetThe TLM 102 stands for legendary sound on a budget. Neumann remodeled the production and omitted non-vital functions such as pattern, pad, and low-cut switches. When you hear the TLM 102, you'll immediately notice what they did not omit: the Neumann sound, which remains faithful to its big role models.
Clear and PowerfulThe TLM series works with a transformerless output stage to enable a clean and direct sound, very "close" to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.
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Designed as a budget-friendly alternative to the heralded U 87 microphone for project studios, producers, and vocalists, the black Neumann TLM 103 MT Mono Set is a large-diaphragm condenser mic offering the classic Neumann sound with elevated presence to impart a crisp, clean, and full tone. It boasts a capsule based on the U 87 married to pristine transformerless circuitry, allowing it to handle high SPLs up to 138 dB without distortion while maintaining superbly quiet self-noise of just 7 dBA. The combination of the transformerless output stage and heightened treble response makes the TLM 103 a great choice when the sound source needs to clearly cut through the mix. The mic's compact body is ideal for positioning it in tight spots such as over a snare, inside a kick drum, or in front of a small guitar amp. By utilizing a cardioid polar pattern, the mic can effectively reduce ambient noise or instrument bleed behind the mic. Affordable Alternative to the U 87Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic, tapered headgrille design gives the TLM 103 a distinct Neumann look.
Large-Diaphragm CapsuleThe TLM 103 is a cardioid microphone with a large-diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz.
Refined and Full SoundIts very direct yet refined sound is perfect for vocals and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them a top choice in studios around the world. A special feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.
Technical ExcellenceWith an incredibly low self-noise of only 7 dBA, the TLM 103 is among the quietest microphones available. And its high sensitivity of -32.5 dBV ensures ultralow noise, even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for pre attenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy-to-use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.
Transformerless OutputAs a member of Neumann's TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original as well as a clear, powerful bass response, even at highest signal levels.
ApplicationsThe TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U 87 for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings for cello and double bass.
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Bundled with a vibration-reducing shockmount and a compact stand mount, the nickel Neumann TLM 102 Studio Set large-diaphragm condenser microphone brings renowned Neumann sound quality to a price point that's inclusive to home producers, working musicians, and independent singer-songwriters. The capsule's high SPL rating of 144 dB permits the recording of percussion, drums, amplifiers, and other loud sound sources clearly and without distortion. With its 8 to 12 kHz treble boost, the TLM 102 imparts a silky vocal presence while avoiding pronounced sibilance. The mic utilizes a cardioid polar pattern to provide directional sound pickup in front of the capsule and strong rejection behavior behind it, yielding less background noise than most other polar responses. The integrated pop shield reduces breath noise and vocal plosives, though external pop filters are available for even more control. The TLM 102's transformerless output stage aids the mic in achieving a clean character with plenty of reach in the bass range, and it delivers resistance to electromagnetic interference. Silky ToneNeumann developed the TLM 102 as a universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kHz which is crucial for human voices. The recordings get a silky elegance typical of large-diaphragm microphones; the voice gets a noble presence in the overall mix. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants, thanks to the integrated pop shield.
No Problem with High VolumeThe TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. It reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of about 4") with great clarity: open, detailed, with powerful bass and refined treble.
Neumann Sound on a BudgetThe TLM 102 stands for legendary sound on a budget. Neumann remodeled the production and omitted non-vital functions such as pattern, pad, and low-cut switches. When you hear the TLM 102, you'll immediately notice what they did not omit: the Neumann sound, which remains faithful to its big role models.
Clear and PowerfulThe TLM series works with a transformerless output stage to enable a clean and direct sound, very "close" to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.
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This microphone has a very even diffuse-field response for all polar patterns. This is important in a reverberant environments, as more reflections arrive at the microphone from different directions. The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective-resonance effects. The microphone maintains a great impulse response reproducing all transient music and speech without coloration. With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common-mode rejection, and prevents RF interference that may influence the balanced audio signal. The self-noise level of the TLM 193 is considerably reduced. As it is capable of handling sound-pressure levels up to 140 dB without distortion, the TLM 193 provides a dynamic range of 130 dB (A-weighted). All exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles. The capsule is elastically mounted to avoid any structure-borne noise that could interfere with its operation. The frequency response of the TLM 193 amplifier is linear down to 20 Hz. Very low bass signals are reproduced without coloration. This implies that the microphone becomes more sensitive to subsonic frequencies, from structure-borne noise or pop and wind noise. The TLM 193 Large-Diaphragm Cardioid Studio-Condenser Microphone from Neumann is a large-diaphragm microphone with a cardioid polar pattern. The microphone uses a transformerless circuit, featuring low self-noise and large dynamic range. The polar response is very linear over a wide incidence angle. Signals coming from the side are reproduced without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount. The large-diaphragm capsule inside the head grille has a very smooth frequency response for all polar patterns over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10 kHz within a pickup angle of ± 100°. |
Delivering an all-metal, tank-like build quality and extreme flexibility for a range of live and studio applications, the BL8 Boundary Microphone from sE Electronics sports a half-cardioid, 3-micron true condenser diaphragm for exceptional sensitivity in the low-frequency range, making it ideal for kick drum miking. With onboard controls for two different low-cut frequencies (80 or 160 Hz), two different attenuation levels (-10 or -20 dB), and two different EQ voicings (Classic or Modern), the BL8 is versatile indeed, deftly handling ambient room miking, pianos, and more with exceptional clarity. The transformerless, class-A circuitry in the BL8 ensures enough headroom to avoid distortion and an ultralow-noise signal with plentiful transparency. The tour-ready enclosure sports a dent-proof grille and gold-plated XLR contacts to survive the rigors of the road, and the durable design can also support the Kelly Shu Flatz Isolation System, ideal for heavy touring applications. This microphone includes a carry pouch for safe transport. Low CutThis switch allows you to curb low-frequency response at two different frequencies (80 or 160 Hz) or leave it flat. For applications like room miking or speech, the low-cut switch reduces unwanted footfall noise and rumble. It can also be used to minimize proximity effect.
Attenuation PadThe attenuation pad reduces the microphone's signal by 10 or 20 dBs when activated, preventing loud sources from overloading your mixer, preamp, or audio interface. In its center position, the pad is deactivated, and the microphone's output is unaffected.
It is recommended that you initially activate the 10 dB attenuation when miking a kick drum. For very loud sources, you may need to activate the 20 dB attenuation. Moderately loud sources should be fine at the 0 dB setting. CharacterThe ideal studio kick drum tone is often different than preferences in a live sound environment. Similar to the award-winning kick-drum mic, the V KICK, the BL8 offers Classic and Modern character voicings.
These options both cut and shape the low-mid frequencies to emphasize transients and punch. In its center position, the capsule's neutral response is retained, which is ideal for a plethora of other applications. Swappable CapsuleThe capsule inside the BL8 can be swapped for an alternative, such as the sE8 omnidirectional capsule, to allow for an even greater range of applications. Simply turn the screw at the center of the mic's grille until its loose, remove the capsule retainer screw, and replace.
Surface MountingUsing screws, the BL8 can be mounted to a surface, wall, ceiling, or the lid of a grand piano. Simply open the microphone as you would if you were changing the capsule.
The two mounting points are covered with black stickers; remove them with a sharp tool. Then, use a sharp tool to punch through the underlying protective foil, and mount as desired with screws (not included). |
Designed by a team of former AKG personnel, the black Austrian Audio OC818 Dual Set Plus is a matched pair of large-diaphragm studio condenser microphones, offering detailed audio capture and immense sonic customization that's ideal for stereo miking solo instruments, drum kits, and ensembles. The handmade 1" ceramic capsule features two gold-plated polymer membranes to enable multiple polar patterns. Utilize the 5-position switch to set the OC818 to figure-8, hypercardioid, cardioid, omnidirectional, or wide cardioid. Each diaphragm is routed to a separate output connector for dual-channel recording, which allows you to design custom polar pattern responses across five frequency bands via the open-source PolarDesigner plug-in or achieve a tweakable stereo image thanks to the StereoCreator plug-in (also open-source). Alternatively, the secondary output can be connected to the optional OCR8 Bluetooth module if you wish to enjoy convenient wireless control and selection of 255 polar patterns via the free iOS/Android PolarPilot app. Front-panel switches are provided for easy access to the pad and roll-off settings. Set the pad to -10 or -20 dB to avoid distortion when miking loud sources such as drums or guitar cabinets. Activate the high-pass filter at 40, 80, or 160 Hz for attenuation of low-frequency problems, including rumble and proximity effect. The OC818's housing is constructed of zinc-aluminum alloy for strength and durability. The OC818 Dual Set Plus includes two shockmounts, two mic clips, a stereo bar, two mini 5-pin XLR to 3-pin XLR cables, two windscreens for mitigating noise from breaths and blasts of air, and a protective carry case for easy transport and storage of the entire bundle. Dual Set Plus vs Live Set
Precision Capsule
Studio Sound Quality
PolarPilot App
PolarDesigner Plug-In
Stereo Creator Plug-In
AmbiCreator Plug-In
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